{"id":4422,"global_id":"www.theartdiggerlab.com\/en?id=4422","global_id_lineage":["www.theartdiggerlab.com\/en?id=4422"],"author":"1","status":"publish","date":"2019-11-06 13:45:48","date_utc":"2019-11-06 12:45:48","modified":"2019-11-06 14:34:30","modified_utc":"2019-11-06 13:34:30","url":"https:\/\/www.theartdiggerlab.com\/en\/evento\/felipe-alonso-1\/","rest_url":"https:\/\/www.theartdiggerlab.com\/en\/wp-json\/tribe\/events\/v1\/events\/4422","title":"Felipe Alonso I","description":"

Workshop de pintura<\/h1>\n

\u201cMetodolog\u00eda e intuici\u00f3n en el retrato contempor\u00e1neo\u201d<\/i><\/h2>\n

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OBJETIVOS Y CONTENIDO<\/p>\n

El objetivo fundamental de este taller es centrarse en una de las cuestiones m\u00e1s importantes y m\u00e1s arriesgadas del artista a la hora de ejecutar y resolver una pintura figurativa.\u00a0<\/span><\/p>\n

El reto es discernir en que momentos es necesario ce\u00f1irse a una metodolog\u00eda y en que fases de la pintura hay que dejarse llevar por la intuici\u00f3n, el azar o la insensatez, en aras de conseguir llevar la pintura a un estado superior y no s\u00f3lo el de la mera representaci\u00f3n. Para ello es fundamental identificar cuales son las fases de construcci\u00f3n de, por ejemplo, un retrato; en que circunstancias o situaciones se pueden utilizar ciertos procedimientos espec\u00edficos para una resoluci\u00f3n formal y mat\u00e9rica de lo representado. Tambi\u00e9n identificar en qu\u00e9 escenarios es preciso dejarse llevar por nuestra intuici\u00f3n, procurando una visi\u00f3n pict\u00f3rica m\u00e1s personal, en busca de lo que deber\u00edamos llamar la magia en la pintura.\u00a0<\/span><\/p>\n

OBJETIVOS ESPEC\u00cdFICOS
\nEliminar las barreras creativas que nos imponemos ya desde la concepci\u00f3n mental del cuadro, ci\u00f1\u00e9ndonos a esa idea preestablecida que nos impide desarrollar y abordar el proceso creativo mas libre durante la ejecuci\u00f3n de la obra pict\u00f3rica.\u00a0<\/span><\/p>\n

Indagar en las ventajas e inconvenientes y las m\u00faltiples maneras y herramientas disponibles a la hora de aplicar la pintura (pintura directa e indirecta), pasando por la armon\u00eda crom\u00e1tica, los diferentes soportes, diferentes m\u00e9diums, pinturas, barnices y pinceles, para cada una de las fases del cuadro.\u00a0<\/span><\/p>\n

METODOLOG\u00cdA.\u00a0<\/span><\/p>\n

Se realizar\u00e1 una visita al Museo del Prado el d\u00eda 13 de marzo para analizar la concepci\u00f3n y la parte metodol\u00f3gica de las pinturas que a lo largo de la historia han conseguido traspasar esa barrera de la mera representaci\u00f3n.\u00a0<\/span><\/p>\n

La pintura la realizaremos mediante un procedimiento de capas, aprovechando las cualidades de la infra-pintura para la obtenci\u00f3n de las texturas y recursos necesarios para una buena superficie que represente tanto la parte formal como mat\u00e9rica del retrato. Para posteriormente aplicar la supra-pintura atendiendo a aspectos fundamentales como el ajuste tonal y crom\u00e1tico y desarrollar esas acciones de improvisaci\u00f3n y dejar paso a nuestra intuici\u00f3n para poder concluir un retrato.\u00a0<\/span><\/p>\n

El soporte para trabajar ser\u00e1 una tela de 50cm x 50cm. Dicho ejercicio partir\u00e1 de una imagen digital suministrada por el profesor cuya tem\u00e1tica ser\u00e1 el retrato.\u00a0<\/span><\/p>\n

Durante las sesiones del taller se recorrer\u00e1n las diversas etapas de construcci\u00f3n de un retrato y mediante ejemplos pr\u00e1cticos se analizar\u00e1:
\n\u2022 La trascendencia y repercusi\u00f3n que tiene la adecuada preparaci\u00f3n del soporte pict\u00f3rico.
\n\u2022 La importancia del desarrollo previo de la imagen a pintar a modo de bocetos o estudios, mediante programas de edici\u00f3n de imagen digital.
\n\u2022 Las posibilidades que nos ofrece la infra-pintura o primeras capas de materia para la obtenci\u00f3n id\u00f3nea de la representaci\u00f3n; en este caso de la piel y de la carne.
\n\u2022 Las cualidades de la aplicaci\u00f3n del color en la carne (transparencia y opacidad).\u00a0<\/span><\/p>\n

El profesor se centrar\u00e1 en cada participante de forma individual para conseguir mayores avances t\u00e9cnicos, teniendo en cuenta las particularidades espec\u00edficas de cada artista.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Descubre mas sobre Felipe Alonso<\/a><\/h4>\n

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 <\/p>\n

Descarga el programa en espa\u00f1ol en el siguiente enlace:<\/p>\n

\n\tFelipe Alonso I marzo 2020<\/a>\n<\/h4>\n

Download the english program in the following link:<\/p>\n

\n\tFelipe Alonso I march 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